| In 1995, the United States Fish & Wildlife Service reintroduced wolves from Canada into the north-west region of the United States. This much-publicized and controversial Wolf Reintroduction Program reignited a war on wolves that had ended in the late 1930's with their brutal extermination. Despite majority public support for the wolves' return, the political and social environment into which they have been reintroduced is disruptive and often fatal for wolves.
While wolf opponents and supporters battle, "Cost of Freedom" takes viewers on a journey into the wilds of Idaho to track the "White Cloud Pack." The packs struggle for survival illustrates remarkable similarities to human nature, encouraging a deeper understanding of this fascinating social predator as the true cost of freedom is revealed.
35 minutes
US Release Date: 2003
Copyright Date: 2003
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PAST/UPCOMING FESTIVAL SCREENINGS
BANFF MOUNTAIN FILM FESTIVAL, Nov. 4-9 2003
MOUNTAINFILM on Tour featuring the best of Mountainfilm, 2003-2004
25th MOUNTAINFILM IN TELLURIDE, 2003
JACKSON HOLE WILDLIFE FILM FESTIVAL, 2003
PLANET IN FOCUS Environmental Film and Video Festival, 2003 Canadian Premiere
SISKIYOU ENVIRONMENTAL FILM FESTIVAL, 2002
HAZEL WOLF ENVIRONMENTAL FILM FESTIVAL, 2002
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| John de Graaf
Award-winning filmmaker and Author, President of the Hazel Wolf Environmental Film Network.
"COST OF FREEDOM is a documentary deserving the widest of audiences, especially where public officials are considering reintroduction of carnivores. It reveals the troubling and intrusive practices currently involved with wolf reintroduction in Idaho and the difficulties of protecting these animals in the face of public ignorance and hostility.
The treatment of the wolves by government agents was shocking; even more so were the attitudes of local citizens who would simply like to see the wolves wiped out. "Cost of Freedom" casts a harsh shadow on efforts to delist wolves from the Endangered Species rolls. Clearly, these animals need more protection, not less.
But they also need to be allowed to be wild animals. Whatever the intentions, highly intrusive activities by government agencies dont seem to be the best way to restore and protect carnivores. The real issue is changing public attitudes so that these wonderful animals can be allowed to live and flourish.
Vanessa Schulz is a terrific filmmaker whose work makes us think and question, and "Cost of Freedom" is yet another example of her talent, compassion and courage. Dont miss it."
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Boise Weekly, February 2002
By Cynthia Sewell
Documentary examines wolf reintroduction
In his essay "Thinking Like a Mountain," from "A Sand County Almanac," conservationist Aldo Leopold recounts how he came to understand the crucial role of wolves in ecosystems and the need to restore their populations in the wild. Now, fifty years later, many people, organizations and government agencies are realizing the truth to Leopolds words and are working with U.S. Fish & Wildlife Service to restore wolves in the West. But, there is a dark side to wolves livelihood. Once called Animal Damage Control, now called Wildlife Services, this arm of the federal government kills wildlife. Lots and lots of wildlife to the tune of over 4 milion birds and mammals last year alone.
Federal and state laws give Wildlife Services their power to shoot, trap and poison any wild creature deemed a nuisance or threat to crops or livestock. The wolves in Idaho and Montana are no exception. Last year Wildlife Services killed 7 of Idahos wolves, mainly for livestock depredation.
"Cost of Freedom," A new documentary by Ketchum filmmaker Vanessa Schulz, explores this seemingly incongruous concept of killing wolves while simultaneously trying to replenish their population.
Schulz conceived of "Cost of Freedom" in 1999 while filming a video against trapping entitled "Cull of the Wild" for the Animal Protection Institute. In the course of making that film she learned of Idahos wolf reintroduction program. When she discovered that "kill orders" were being issued for some wolves and many other wolves were being trapped or darted to fit with radio collars or relocate, all under a cloak of secrecy on public lands, Schulz knew she found the subject of her next film.
Idahos first wolves were released in 1995. Today, approximately 260 wolves call Idaho home a definite success story. But, according to Schulz her film captures the covert mistreatment of wolf populations in Idaho and Montana under the reintroduction program. In addition to Wildlife Services legally killing wolves, Schulz also explores a rural backlash resulting in wolves being illegally poisoned and shot. Schulz also points out that the Idaho Legislature adopted a resolution calling for the removal of all wolves from the state "by whatever means necessary" a move that is a slap in the face to the thousands of people working to restore wolves to their natural habitat and the hundreds of thousands of people who want wolves to exist and thrive in the wild.
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